Muñoz Escobar Geovanni
Esta composición y canción fue incluida en el álbum número siete llamado Blonde on Blonde, grabada el 5 de octubre de 1965 al 10 de marzo de 1966 y fue publicado el 16 de marzo de este mismo año.
El álbum Blonde on Blonde es considerado el primer álbum doble de la historia del rock blues, por tener una duración mayor a los comunes, por esta razón fue grabado en lo que era llamado un Long Play, era un disco de vinilo más grande que los convencionales de esa época.
En este álbum, donde se incluyo I want you, sería el ultimo que Bob Dylan grabara antes de que sufriera un accidente de motocicleta y que marcara una nueva era en la vida del cantante y compositor.
La canción I want you, está escrita con un sentido surrealista y está compuesta en un lenguaje con “doble sentido”. En esta canción expresa la necesidad que tiene de estar cerca de una persona que desea, sin embargo el piensa que no debería sentir esta necesidad. El cree que no nació para perderla y que no le importa ya nada y quiere estar junto a ella.
I want you
The guilty undertaker sighs,
the lonely organ grinder cries,
the silver saxophones say i should refuse you.
the cracked bells and washed-out horns
blow into my face with scorn,
but it's not that way,
i wasn't born to lose you.
i want you, i want you,
i want you so bad,
honey, i want you.
The drunken politician leaps
upon the street where mothers weep
and the saviors who are fast asleep,
they wait for you.
and i wait for them to interrupt
me drinkin' from my broken cup
and ask me to
open up the gate for you.
i want you, i want you,
i want you so bad,
honey, i want you.
Now all my fathers, they've gone down,
true love they've been without it.
but all their daughters put me down
'cause i don't think about it.
Well, i return to the queen of spades
and talk with my chambermaid.
she knows that i'm not afraid
to look at her.
The guilty undertaker sighs,
the lonely organ grinder cries,
the silver saxophones say i should refuse you.
the cracked bells and washed-out horns
blow into my face with scorn,
but it's not that way,
i wasn't born to lose you.
i want you, i want you,
i want you so bad,
honey, i want you.
The drunken politician leaps
upon the street where mothers weep
and the saviors who are fast asleep,
they wait for you.
and i wait for them to interrupt
me drinkin' from my broken cup
and ask me to
open up the gate for you.
i want you, i want you,
i want you so bad,
honey, i want you.
Now all my fathers, they've gone down,
true love they've been without it.
but all their daughters put me down
'cause i don't think about it.
Well, i return to the queen of spades
and talk with my chambermaid.
she knows that i'm not afraid
to look at her.
she is good to me
and there's nothing she doesn't see.
she knows where i'd like to be
but it doesn't matter.
i want you, i want you,
i want you so bad,
honey, i want you.
Now your dancing child with his chinese suit,
he spoke to me, i took his flute.
no, i wasn't very cute to him,
was i?
but i did it, though, because he lied
because he took you for a ride
and because time was on his side
and because i ...
i want you, i want you,
i want you so bad,
honey, i want you.
and there's nothing she doesn't see.
she knows where i'd like to be
but it doesn't matter.
i want you, i want you,
i want you so bad,
honey, i want you.
Now your dancing child with his chinese suit,
he spoke to me, i took his flute.
no, i wasn't very cute to him,
was i?
but i did it, though, because he lied
because he took you for a ride
and because time was on his side
and because i ...
i want you, i want you,
i want you so bad,
honey, i want you.
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